Subterranean Architecture: Stepwells in Western India An exhibition of 60 digital photographs by Richard Cox

Stepwells, mainly constructed centuries ago in North West India, were originally built to access the water underground and as a means to retain water from the Monsoon season. They were used as a source of survival for those living in desert states but eventually evolved into becoming gathering sites where temples and shrines were built. Stepwells served a variety of purposes to those living near them as well as to travelers needing water throughout their journey.

Since these step wells became a vital asset to the local cities and villages, some were large with great architectural detail and depth , while others were simple and mainly functional. The designs of each stepwell was largely influenced by geographic region, climate, and whether the religion of those responsible for its construction were Hindu or Muslim. Because many of those responsible for these unique wells were actually Royal Families, they were well preserved up until they were deemed a health hazard by the British Raj who did not understand the significance of the structures to the people of Western India.

The ban on their use coupled with a long drought left the stepwells abandoned and ignored for several years, however there is a resurgence of attention being brought to them by two organizations (DRONAH and INTACH) that are working to establish some of the sites to World Heritage Status. This exhibition of photographs illuminate these great historical structures and also restore and preserve the memory of what these wells meant to India.

His Story

Tamarind Art Gallery presents "His Story", an exhibit of works by Hindol Brahmbhatt. His art will be on display from June 1 through July 31.

Hindol's paintings immediately catches the audiences attention by its visually striking approach to telling the story. He incorporates a variety of materials such as wooden planks, plexiglass, and canvas. This mixed media approach along with his technique of blow-torching the wood, etching the plexiglass, and combining them in one cohesive piece creates a unique look that only an innovative artist can produce.

Beyond the visual appeal, the subject matter in itself gives a history lesson to the viewer. Including historical figures such as Frida Kahlo, Salvador Dali, and Ghandi of whom Hindol has been largely influenced. He uses historical figures as subjects in his works allow him to tell their stories from a new perspective. He emphasizes the fact that history in our time has become a sort of product, which is displayed well such as an exhibit. In past work he has used the images of Frida Kahlo, Diego Rivera, and Gandhi by whom Brahmbatt has been heavily influenced. In reflection of his own artwork he has said, “I believe in the truth of opposites. For every argument there would be a counter-argument that can be equally valid. So I leave it to the viewers to interpret my work, and draw their own conclusions.”